Sunvault drops on Tuesday!

Dear readers, writers, artists, movers & shakers, punks & solarpunks,

Well, after a year and a half of living with Sunvault: Stories of Solarpunk and Eco-Speculation, the anthology is almost here! It officially comes out on Tuesday (August 29th)!

Twitter has alerted us that people are getting their backer copies! Send us some photos of you with your colorful copy (or some bookshelf selfies!). We hope you are enjoying the stories!

If you didn’t order a copy through the Kickstarter, you can get an e-book or a paperback through Amazon, though my local bookstore was happy to order a copy, so I imagine yours will be, too!

There’s a lot of other solarpunk goodness happening right now! We are so excited for the wonderful folks over at World Weaver Press who have two solarpunk projects going on right now, a translation of a solarpunk anthology and a new anthology about solarpunk summers! Check out the Kickstarter for more information.

Christi Craig has a cool write up about Sunvault and chatted with us about solarpunk and what we’ve been reading. You can check it out here!

Thanks for supporting us on this project. It’s been wonderful to explore the world of solarpunk and its community. You all are awesome.

sunvault cover thing
Photo by Joanne Merriam of Upper Rubber Boot Books

We’re back with so much news!

Dear readers, writers, and punks:

We have so much news! Those of you following @sunvaultantho on Twitter might have scene Likhain’s cover photos already, but we are in LOVE with her interpretation of solarpunk. The full cover reveal will happen soon!



The perspective, the colors, the bamboo—we might be biased, but we have the best anthology cover for this year.

While the original plan was to publish Sunvault in May, the publication has been pushed back because, well, things aren’t the best in America right now (sorry, rest of the world). The new publication date is August 29, 2017, and we will be sure to let you know when preorders are available on Amazon.

Even so, we do have a table of contents to share!




We are so proud of the names on this list and can’t wait for you all to experience their work.

Finally, Sunvault will be at WisCon in Madison, Wisconsin! Brontё will be at the convention, so tweet him @BeezyAl if you are attending, too!

Stay hopeful.

Phoebe & Brontё

Interview with Rich Dana of OBSOLETE!

We caught up with Rich Dana at OBSOLETE!, another publishing outlet for the intersection of punk and SF!

Tell us a little about your press and zine?

OBSOLETE! The zine came first, in 2009. I was inspired to do an old-school underground tabloid newspaper, and the first 8 issues were printed in that format, echoing the radical tabloids of the 60s and 70s. Working with my friend and creative partner Blair Gauntt, we worked to tap into the science fiction/political commentary crossover, à la the “New Wave” SF writers if the 60s.  A year or so into the zine, Austin poet W. Joe Hoppe approached me about doing a book, so we did it. Then came a “best of…” anthology, then the AnarchoSF  anthology of anti-statist science fiction, and next thing you know, we’re publishers!

What was the inspiration for starting the press?

I’ve been a zinester since my childhood in the 70’s when I pumped out radical screeds on the ditto machine in the junior high school library. I’ve always loved books. My dad was an english professor and my mom a librarian. I guess it was in my blood! The motivation to do print now, in the 21st century, came out of my frustration with the digital ghetto of the web. I’m not a luddite, I love technology as much as anyone, but I just love print. Reading as a physical act. Books as artifacts and sacred objects.  There is nothing sacred on the web!

The name for the zine and the press comes from an episode of the Twilight Zone called “The Obsolete Man.” In a future totalitarian society, a librarian is deemed obsolete by the state, and sentenced to die. It is a story that stuck with me all my life.  I relate to that librarian!

What was your interest in solarpunk and how do you see the solarpunk movement complementing your press?

Ironically, I was a professional solar installer, as well a first-gen punk. I’m a life-long SF reader and fan, and came of age in the cyberpunk era. I wondered why there were all of these other lame iterations of “…punk” prefixed genres popping up. Elfpunk? I mean…really? I wondered why there was no “solarpunk.” It seemed like the one natural outgrowth of cyberpunk to me. I started writing stories with that in mind, and lo and behold, I later discovered, via the wonderful wonderful web, that others are thinking the same thing! I have no idea how,if or when solarpunk will gel into a real movement, but I’m a 100% supporter of the loose-nit, open source way that it is happening. And of course, the environmental and social justice elements are right in line with the OBSOLETE! ideals.

Do you think speculative fiction needs more punk? What would you like to see?

I agree with the solarpunks that dystopianism is getting worn a bit thin.  Sadly, it never goes out of fashion, because it is still a relevant and real concern. I would argue that there is no punk without the backdrop of dystopia, but T.X. Watson of Solarpunk Press makes the case that revolting against convention is in itself punk. I’m willing to concede that my black leather vision of punk may be outdated. At the advanced age of 54, I’m happy to have my assumptions challenged. I was afraid solar punk might be “one punk too far”,  but I have the feeling that it is only the proto-stage of something bigger to come. A newer New Wave.

For me, I would like to see a return of satire to SF. I’m re-reading Pohl and Kornbluth’s “The Space Merchants” and realized I do miss that biting social commentary. Maybe some people like Scalzi are doing it, but I would like to see people turn a lot more of the current tropes on their heads- the whole gang of Hugo awards lame-puppy space marines need to have their assumptions challenged and SF needs to leave that fascist horseshit behind for once and for all. I think solarpunk might be a significant player in that movement.

What suggestions do you have for people submitting to your zine?

Hey, anyone is welcome to submit. I love to have original work, although I can’t afford to pay pro rates. Previously published work is welcome too. Fiction under 5000 words works best in the zine format. Black and white artwork is good, though I usually run a few color pages too, so that’s cool. Comics, one pagers,poems reviews and essays- check out the free stuff we have on line to get a feel for it.

We are working toward a 2nd volume of AnarchoSF, so if you are of the anti-statist political viewpoint and write SF that reflects that, send it our way.  We are also doing an issue of futurist poetry, so there’s that on the way as well. No deadlines just yet, but I encourage people to send stuff our way asap, and watch the website and FB page.

Interview with Solarpunk Press

Even though Sunvault is closed for submissions, Solarpunk Press is another paying market looking for solarpunk stories! We talked with co-founder Faith Gregory about what solarpunk means to them.

Sunvault:  What drew you to solarpunk and what still inspires you?

Faith Gregory: Honestly, I wasn’t initially interested in Solarpunk. Watson and I worked on the same college newspaper, and they kept bringing it up to me as something I should look into. The idea didn’t really stand out to me, but when they finally got me to look into the community and read some posts, I started to see how important the idea of optimistic speculative fiction is, and that small movements like these are key in changing the socio-political landscape of our respective communities, and how our communities interact with each other.

SV:  There’s some internet chatter about how the solarpunk movement is separate from the genre. How do you see the literature of solarpunk interacting with the solarpunk community as a whole?

FG: I am adamant that the solarpunk movement should NOT be separate from the genre. Literature is so important to activism, so having the genre reflect the movement, and the movement reflect the genre, are going to strengthen both.

SV: What inspired starting Solarpunk Press?

FG: Watson was really the driving factor behind this. We were at Readercon last year (and we’ll be there again this year), and we attended a panel on speculative fiction magazines. Afterwards, Watson was like, do you want to start a solarpunk spec fic mag with me, and I was like, yeah sure, if you can prove to me you can do it. At a mixer with all the panelists, we approached Neil Clarke, Editor of Clarkesworld Magazine, and Watson pitched the idea and very specific details of the magazine to Neil. Neil said they sounded good and that starting the magazine sounded plausible. From that, Solarpunk Press was born.

SV: As an editor, what advice do you have for writers working in the solarpunk genre?

FG: Writing solarpunk fiction has been the biggest writing challenge for me thus far, and I’m much better at spotting it and editing it than I am at writing it, primarily because of my really bad anxiety. So I can really only tell you what it is that I look for in submissions, which is awareness of the world around you, an understanding of cultural differences, and a willingness to embrace criticism and change. If I see that in your writing, along with the penchant for hope that solarpunk really strives for, I’m immediately interested.

SV: Anything you’d like readers to know about Solarpunk Press?

FG: I’d like people to know that Solarpunk Press is a passion project, started and run by two pretty poor people doing everything out of pocket and through our patreon. So if people like what we’re doing and want us to stick around for the foreseeable future, we really need both the patreon support and the submissions of really good solarpunk fiction for us to continue. You can support us at and submit your fiction at

Faith Gregory is co-founder and editor of Solarpunk Press, a magazine for the Anthropocene. They’re a 21 year old working full-time in retail with a double associate’s in journalism and political science, striving to save the money to get back to their studies. They live in Amherst, Massachusetts and look to promote and strengthen queer writers.You can find them blogging at and, and you can hire them at